This thesis explores the transformation of filmmaking due to computerization and the shift to digital, specifically focusing on the implementation of digital visual effects. It examines visual effects from aesthetic, narrative, and theoretical perspectives, including cinematic realism theories and the relationship between editing and compositing.
This report analyses Hungary’s emergence as a leading European production hub for Hollywood, focusing on incentive structures, infrastructure, and long-term industry implications.
This essay examines the centralization of the Hungarian cultural sector and its impact on artistic freedom, funding structures, and institutional independence in film production.
This thesis examines anthropomorphism in cinema through Quentin Dupieux’s Rubber (2010), focusing on narrative mechanisms that transform inanimate objects into cinematic characters.